Wednesday, May 6, 2015

Ainur Turisbek and Tblisi Fashion Week 2015


By

Sampson I.M Onwuka

Her face needs introduction and her place among the eagles in Georgia and in Ukraine should be a chance to endure. Majority of her style adapt to Europe but it is the form and decided nature of her rendition that is important, especially for the latest collection of Winter dresses.

When from Tokyo Fashion week we observe trend in leather jackets and razor cut suits, and in 2015 we can see why there is a difference in execution. Like the Ukraine Fashion Week and the closing of Tblisi which fanned some flames for the wilder audience, we may notice the staying power of some of more classic emphasis on cuts and structure, some at the latter stages of maturity requiring a new kind of stitch.




http://en.tengrinews.kz/userdata/gallery_en/gallery_429/photo_7642.jpg


Some of the pictures here representing Ainur Turisbek designs are from a few year ago, and some are recent but all of which emphasize her austerity, structure and outline which are very important in retail business.

To have 3 daughters and have time to design cloths of interesting nature is very demanding especially when female leaders are needed all of the world. If there is felicity in fashion is strike well with some people and not others, and here the broking underlie some names and perhaps a character.




@ Ainur Turisbek Courtesy of Almaty Kazakhan


The winter combination and the outer jackets in short sleeves represent a version of Eastern Europe that is need to be received in larger and more serious context. The tepid shoes and the shining suave over the shoulders show hints of Arabian culture at the sundown of some center of  gravity for fashion.

Cloths of these nature must emphasize its quality and separateness and require some years to mature in the markets given the polished nature of the designs. The retinue of fabric and its impression is official for exclusive occasion, perhaps the face and appearance deserves a sparing but it is frozen statement that makes it a style with or without the condition.



Ainur Turisbek Fall/Winter 2015 Mens Collection Deux Hommes
Ainur Turisbek

This much can not be said of this dress especially the age of the dress code and pattern. There are contractors for African American industries that need to be considered in representing this leather forms in single format and in this outline.

Of course, the woman cloths speak for themselves but the blended ascent of color orient the observer to some understanding.


Ainur Turisbek Fall/Winter 2015 Mens Collection Deux Hommes
Ainur Turisbek

 Ainur Turisbek Fall/Winter 2015 Womens Deux Hommes
 Ainur Turisbek

There is a trend between fashion and style, here the animation of grey on a shifting native design improves on the outfit of the present individual. You are looking a temptation for London, you are not of course impressively a Londoner but the color is the issue the standard is met reserved.

In times of the sustaining plausibility of the dark noir in the above picture, we observe an 'audacity' rendered elsewhere in her writing here.





Ainur Turisbek Fall/Winter 2015 Womens Deux Hommes

Beautiful

Ainur Turisbek Fall/Winter 2015 Womens Deux Hommes

The last collection is obviously among the more appealingly on the whole collection. The style imposes Asia on the rest of us, and from the tweed shirt and pressed uniforms, there are no mistakes about the influence of Mongols in the reduction here.

I for one consider the pants for women too braced for women, but the first cut is usually the deepest in all impressions of art, fashion and style. Nobody who looks at the collection of cloths by Ainur Turisbek - especially the Winter pieces will not fail to recognize her persuasion for style - perhaps a combination of tradition and modernity - some of it clearly a vogue or will be. These styles need to be maintained and as they say, you never run of style - a Ainur Turisbek. 
















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